Møteplass for låtskrivere, produsenter og musikkbransje
Dato: Onsdag 31. august 2022
Tid: 17:00-20:00
Sted: Stereo, Christies gate 14, Bergen
Velkommen til møteplass på Stereo i Bergen i forkant av Vill Vill Vest
Arrangementet er et samarbeid med BUZZ og Brak. Det blir Q&A med Matias Tellez og Kenny McGoff (Head of A&R, Kobalt Music Publishing) moderert av Siri Narverud Moen og showcase av et utvalg både nye og mer etablerte låtskrivere og produsenter.
Påmelding kreves på grunn av matservering. Meld deg på her
Har du eller låtskrivere/produsenter du jobber med lyst å vise frem musikk på showcasen? Ta kontakt med oss på ingrid@musikkforleggerne.no
Musikkforleggerne presents: Sync deals – luck or labor?
Dato: Torsdag 1. september 2022
Tid: 13:00-13.45
Sted: Galleriet, Kulturhuset
You’ve got your stems ready and your rights cleared, but how do you get the music supervisors and production companies to choose your music for their next series, film or ad? How much is hard work, and how much is pure luck? In this panel we want to enlighten songwriters, artists, companies and other music professionals on how to work with sync in the music business today.
In the panel:
Olivia Schlichting (SuperMusicVision)
Olivia is part of the Los Angeles based music supervision team SuperMusicVision, which has a long list of credits under Emmy and Grammy nominated music supervisor Thomas Golubić. Passionate about storytelling, Olivia has degrees in Screenwriting and Narrative Media & Culture, and won first place for “Women in Cities & The Art of the Flâneuse” in Antioch’s 2019 Research Paper Award. She got her start in the film industry as a script reader, later becoming a talent agency coordinator. Inspired by her musical upbringing, she was often promoting bands, working in venues, and DJing for events and radio. This dual life of one foot in cinema and the other in music led her down the path of music
supervision. Her most recent credits include Better Call Saul (AMC), Space Force (Netflix), Guilty Party (Paramount+), Cowboy Bebop (Netflix), and Glorious (Shudder). An active member in the sync community, Olivia also serves as the Organizing Committee Liaison for the Guild of Music Supervisors.
Andrea von Foerster (Firestarter Music)
Andrea has done music supervision for film, television and online projects for over ten years. Credits include music documentaries such as The White Stripes Under Great White Northern Lights and Butch Walker: Out Of Focus. Independent films such as (500) Days Of Summer, It’s Kind of A Funny Story, From Prada To Nada, Bellflower and Excision. And studio films such as Journey 2: The Mysterious Island, Chronicle and Chasing Mavericks. Television work includes The O.C., Grey’s Anatomy, Dollhouse and Stargate Universe and numerous MTV shows such as Run’s House and Life Of Ryan.
Peter Walsh (Ultra International Music Publishing)
Peter is the director of creative synchronisation for Ultra Music Publishing & Helix Records UK & Europe. Starting his music career in independent publishers in the US and subsequently returning to work in Europe, Peter has an international understanding of the synchronisation industry. Working on all things moving image and music, from luxury cars to luxury fashion advertising, bespoke works for games and trailers to blanket TV. He is excited by the ever changing landscape of music licensing, new media, and the opportunities it can bring for songwriters and artists.
Johan Husvik-Olaussen (Arctic Rights)
Johan has a background from Music Supervision, being the first professional Music Supervisor in Norway. He has worked on over 25 feature films, several TV-series and hundreds of commercials. He joined the new Norwegian indie Publisher Arctic Rights Management in 2018 as Head of Sync & Licensing, after working two years with leading Scandinavian indie digital music distributor Phonofile, building their sync department. Johan also works with BMG Rights Management, with creative sync and licensing.
Moderator: Cecilie Karpinski (SORBET Music)
Cecilie Karpinski is Founder and A&R at the new creative music publishing and sync company SORBET MUSIC based in Copenhagen. SORBET currently represents 30 upcoming Nordic artists, producers and writers with a vision to secure more international sync placements and global opportunities for music talents coming out of the Nordic territories. Recent credits includes brands and companies such as Apple, Netflix, C More, SF Studios and Universal Pictures. Prior to her experience in synchronisation, Cecilie grew up as a classically trained singer and later began songwriting herself. She initially started working in the industry in 2014 stage managing at venues and festivals in Denmark, before moving into management and eventually secured her role in publishing and sync.
Musikkforleggerne inviterer: Coffee & Sync
Dato: Fredag 2. september 2022
Tid: 11:00-13.00
Sted: Storsalen, Kulturhuset
Synkronisering av musikk til film, serier og reklame har de siste årene blitt et av de mest attraktive stedene å få musikken sin brukt.
Vill Vill Vest og Musikkforleggerne har i år invitert en håndfull music supervisors og A&Rs for å høre norsk og nordisk musikk som de potensielt kan ta med inn i fremtidige prosjekter! På Coffee & Sync får du muligheten til å pitche musikken du representerer i korte møter på 10-15 minutter (også kjent som speed-meetings), og ta en god kopp kaffe med fremtidige samarbeidspartnere.
Søk her for å få tilgang til en av de begrenset antall plassene på arrangementet. (Frist 21. august)
https://forms.gle/6NFkD6VFi7cpKaNv9
De som deltar på arrangementet er:
Andrea von Foerster (Firestarter Music)
Isaac McMorrow (Pitch&Sync)
Silje Katralen (Ohlogy)
Isabelle Rabe (Fuse Sounds)
Emilie Skovgaard (Nordisk Film)
Olivia Schlichting (Super Music Vision)
Alle som får plass på Coffee&Sync vil motta tips og råd for hvordan man bør forberede seg til en pitchesession, og hva som er lurt å gjøre for å følge opp kontakten i ettertid.
About the participants
Olivia Schlichting (SuperMusicVision)
Olivia is part of the Los Angeles based music supervision team SuperMusicVision, which has a long list of credits under Emmy and Grammy nominated music supervisor Thomas Golubić. Passionate about storytelling, Olivia has degrees in Screenwriting and Narrative Media & Culture, and won first place for “Women in Cities & The Art of the Flâneuse” in Antioch’s 2019 Research Paper Award. She got her start in the film industry as a script reader, later becoming a talent agency coordinator. Inspired by her musical upbringing, she was often promoting bands, working in venues, and DJing for events and radio. This dual life of one foot in cinema and the other in music led her down the path of music
supervision. Her most recent credits include Better Call Saul (AMC), Space Force (Netflix), Guilty Party (Paramount+), Cowboy Bebop (Netflix), and Glorious (Shudder). An active member in the sync community, Olivia also serves as the Organizing Committee Liaison for the Guild of Music Supervisors.
She can often be found biking or swing dancing around LA, plus advocating for the unionization of music supervisors.
Andrea von Foerster (Firestarter Music)
Andrea has done music supervision for film, television and online projects for over ten years. Credits include music documentaries such as The White Stripes Under Great White Northern Lights and Butch Walker: Out Of Focus. Independent films such as (500) Days Of Summer, It’s Kind of A Funny Story, From Prada To Nada, Bellflower and Excision. And studio films such as Journey 2: The Mysterious Island, Chronicle and Chasing Mavericks. Television work includes The O.C., Grey’s Anatomy, Dollhouse and Stargate Universe and numerous MTV shows such as Run’s House and Life Of Ryan.
Isaac McMorrow (Pitch&Sync)
Isaac McMorrow fell in love with music listening to Tectonic and DMZ dubplates on Bristol pirate radio. He cemented his passion writing a Masters defining the value of marginalised culture. And now he puts those ideas to work as a music supervisor at leading agency Pitch & Sync, working across the business from syncs and licensing, searches to talent partnerships, events and activations, audio branding and full music and audio strategy. Isaac has worked on prestigious campaigns for Google, Samsung, B&Q, Chillys, Mulberry, Jameson, ITV and many others.
PITCH & SYNC is a 360° brand consultancy for music and audio, using talent, culture and music’s emotional power to better connect brands and people.
Emilie Skovgaard Sørensen (Nordisk Film)
Emilie is a music supervisor at Nordisk Film Production where she works with everything related to music. She’s involved in the whole process of finding and licensing music in film and series from early stages of script to final mix.
Nordisk Film Production has branches in Copenhagen, Stockholm and Oslo, and includes Nordisk Film Series and Creative Alliance. Emilie started the first music supervision department in the company in 2021, when she convinced them that it was a good idea to have an inhouse music supervisor. She’s passionate about making the film industry open and aware of all the possibilities of using music from a diverse range of artists. She has worked on projects by a variety of directors amongst others Michael Noer, Paprika Steen, Milad Alami, Bille August, Ole Bornedal, Hella Joof, Anders Thomas Jensen and Malou Reymann. Her career started at an internship at Zentropa where she was trained by the two music supervisors Mikkel Maltha and Leslie Ming.
Silje Katralen (Ohlogy)
Senior Music Supervisor, Ohlogy, Oslo, since 2017.
In retrospect, it was the soundtrack from “Scream” that indirectly sparked Silje’s curiosity and love for music supervision. “I have a vivid memory of always being obsessed with music in films, genuinely loving when a piece of music and a scene merged perfectly together – not knowing back then that this is a handcraft”. After finishing a Master’s degree in Law in Switzerland in 2010, Silje started working as a law associate at a firm in Berne for a short period, before deciding to move back to Norway. It did not take long before she started thinking that there might be a way to combine law and a lifelong passion for films, tv-series and music. She quit her “safe” job position, followed a single course in film music at the University in Oslo, before studying Music Supervision at Berklee College of Music, through Berklee Online.
Silje has worked on several projects, such as Netflix’s “Post Mortem – No One Dies in Skarnes”, Viaplay’s “Made in Oslo” and TV2’s “Heksejakt”.
Isabelle Rabe (Fuse Sounds)
Isabelle’s love of music and popular culture led her to study Musicology at Stockholm University, where she gained a deep understanding of musical styles throughout history and the psychology behind the way we relate to sounds, especially in film music. Isabelle joined Fuse Sound as a Music Supervisor after several years working within various areas of the music industry, and over 6 years with Sony Music Publishing, 4 of those working for the sync department focused on film and tv. During this time she pitched songs and worked closely with production companies, music supervisors, artists, and the A&R department. Isabelle brings a deep knowledge and passion for music, as well as a keen understanding of rights clearance, the sync process, and a flair for creative song placement.
